an existence once cut short


black and white printed while she was whole
her image remains with me
    pressed between one of those silly plastic stand-alone frames

back then the instructor’s reasoning was sound
    though not reason enough for me to listen
my mind had been cocky in odd places
    while other rooms stood vacant
    dubious of direction and all things covered in sugar

my first clay ‘masterpiece’
    masterful in her crying face, her sense of doom
the glorious hand I’d made with my own unblemished one
the dense clay hand gripping the thick clay cloth
    a modesty I’d fashioned to cover her exposed breast

the thoughtless secondary hours of building her up
    only to have her existence cut short
    for my not listening
the heaving ‘masterpiece’ ruined beyond repair
dense lumps into the bin, hauled away
the evidence of her brief existence
    trails me from place to place

years onward caught in a morning like any other
the childhood sun moving across her face, her hand, her prison
I stood beside the studio window
    silent and breathing
    listening at my dead ‘masterpiece’
    still trapped in that silly stand-alone plastic frame

I’d never done that before
    the listening

I never before offered to that little girl
    hiding in those vacant rooms
    a map to redirect her eyes
    the permission to deafen her heart
    from hearing only my mistakes



image above captured this morning in my studio
– taken as she stands in all her high school ‘confuddlement’

Snorky’s Sandlot

Snorky’s brown belly and back end are married together by a band of hamster white. His whiskers twitch and his tiny hands fondle food like Play-doh.

This morning I found Snorky curled into a frozen smile.

I will bury him in the sandy cemetery below the clothesline where our underwear already hangs in sad-mouthed shapes.


(Some childhood memories dig in like hamsters on spinning wheels-my siblings and I had quite a sandlot)

The man across the street

  just stepped up the little stairs to reach his steering wheel. This vehicle is not required for his line of work. My studio, a converted porch, faces his yellow house, his big truck. My home, rising during the Great Depression, has withstood many assaults over time. Her old bones don’t deserve to be rattled.

The sky is bright, the birds are singing, and every morning the man across the street shatters this peaceful illusion. His truck’s reverb frazzles the neighborhood, echoes through my chest. Maybe the man across the street needs the sleepy world agitated at 5:45 AM, maybe tremors make his shadow grow.

If someday he should acknowledge the next phase of life, I pray he doesn’t buy a bigger truck. I don’t want to become another person in this burning world who adds more noise to the hate. I dislike the man across the street. I do not hate him. I will admit, however, to hating his fucking truck.

I painted this a few months ago. Reference taken from a photo of Chris Lee as Dracula. Thought this image was somewhat fitting for this piece:)

I hope you’re all keeping cool.
am:)

Rock Skipping

My studio runs parallel to a quiet side road that springs to life when school lets out. Watching the kids leap into summer often makes me think back. Long ago, but ever present, the silly girl who I’d like to smack in the head.

image above – me in my early 20’s – ah, the makeup-less, cover-up less time of long ago:)

hope you’re all managing the heat
am:)