“to live”

A March 2024 sketch done with a ridiculously large Ticonderoga preschooler pencil
“Little Karole” would blossom into a six-foot-tall, gorgeous woman who’d live an amazing life as a stained glass artist. And much later, she’d become my beautiful mother-in-law.

perhaps it is my 60 years of age inspiring the words below, it could be that the majority of my new friends, most in their 70’s and 80’s, continue to open my eyes in every direction but down

“to live”

I don’t believe the phrase “to live” means escaping our burdens

I don’t believe “to live” means transforming ourselves or collecting accolades

I don’t believe “to live” includes acquiring wealth or building empires  

I don’t believe “to live” means ignoring the past or focusing on the remaining years as we age

I never believe “to live” is expressed through curated media or grinning images

I do believe “to live” creates dubious comparisons of one against the other

I do believe the phrase “what it means to live” suffocates dreams before they begin

I do believe “to live” finding strength in our efforts amid others indifference

“to live” brave in our ‘individualness’ while accepting others in theirs

“to live” caring for ourselves so we can care for others

 “to live” stepping forward when we’ve lost someone behind us

And I always believe “to live for today” when it is tomorrow

am:)

Yes, Thinking about Millie Again

Another recent sketch – I call this one, Movie Star Millie, drawn from a 3″ photo taken in Atlantic City when my mom’s life was opened to an ocean of possibilities

To keep my focus on the spirit of an image and not become mired in details, “My First Ticonderoga” #2 HB lead pencil is the only art implement I use. This pencil is a cumbersome preschooler one. Many times while sketching, this ginormous lead pencil really pisses me off, but I persevere, because I need the practice.


Why Millie this morning –

While reorganizing my studio desk, I opened the box tucked in the far back of the top drawer. In the small box, a Metropolitan Museum angel ornament Millie had given me years back, plus, other keepsakes added along the way. One such keepsake, another gift from Millie, was a poem printed on ‘parchment’ and its accompanying angel pin whose wings had broken off and disappeared.

I got to thinking how missing wings don’t matter. Missing wings will never matter.
Millie’s angel will always lift me up.

xo
am:)
Happy April Flowers

A Post-Holiday Post

Apologies for the post-holiday posting of this. It somehow landed in drafts when I imagined tapping the “publish” button.

A merry montage for my family that I share with you this Christmas.

May you, your family and friends, near and far, enjoy a peaceful and joyous holiday.

Love, am

Nero the Cane Corso, friend and muse to my sister, Grace; Honey the Pit mix, adopted this year, crazy companion to my sister, Dolores; Cormac/Mac-mac the Malamute, snow-lover and liege to my sister, Virginia; Mojo the Dachshund, long-bodied, big-hearted buddy to my family; and last but never least, Kiwi the Testudo tortoise, roommate and foil to my daughter, Caroline❤️🎄🌟

A Two-headed Calf Once Broke My Heart

For those unfamiliar with the poem The Two-headed Calf, it was written by Laura Gilpin (1950-2007). This force of nature came to me by way of my dear friend, DS Levy.

Ms. Gilpin’s tragic, yet beautiful portrait reminds us of the choice each one of us can make regardless of our circumstance or time on this earth. The Two-headed Calf is taped to my computer where my singular brain absorbs it daily.

When I was a child, my brothers and sisters often visited the Blauvelt Museum (shown below) to gaze at its many taxidermy displays. One animal in particular always tore at my heart — the two-headed calf mounted on the wall above the mantle who looked through me with her six dark limpid eyes. How I wish I knew of Ms. Gilpin’s poem back then.

Hiram Blauvelt was a philanthropist, conservationist, art and animal collector. Ironically, Hiram was a big game hunter, and his kills provided the conservationist displays.

“Through his big game and private wildlife art collections, Hiram hoped to promote the cultural value of wildlife art and the need for conservation of its subjects and their habitats.” “Founded in 1957 as a natural history museum, the Blauvelt Museum introduced students, scouts and youth groups to the need to support wildlife and habitats conservation. Visiting artists created drawings and paintings from close observation of the specimens.”

In searching for the images for this post, I was elated to learn of Blauvelt’s direction. When the ‘hunt-then display to promote conservationism’ philosophy fell out of favor, “…the Board of Directors of the Blauvelt-Demarest Foundation decided that the original objectives would be best achieved by redesigning the museum to feature the works of contemporary wildlife artists, built on the artistic foundation of the Blauvelt’s early collection of works…” And among its many wonderful events, today’s Blauvelt also hosts an art museum residence program.

Reconstruction Writing from My Kitchen Sink


Long ago, I began what I affectionately titled my ‘kitchen-sinking file’
an ever-growing repository to hold my murdered darlings —
the words I couldn’t jettison into the infinite, all-powerful,
sometimes destructive, and often just downright crappy
void of invisible voices

For this first short reconstructed piece, I wanted an environmental theme — Though the merged thoughts are depressing, this was an enjoyable exercise to do. I hope to create a few more of these pieces in the future.

Reconstruction 1:

NATURE VS US
we seem to be fighting against her

only one of us can emerge victorious

I.
while we busy ourselves engraving our legacies into granite
the concrete angel arms waiting for our bones fade away
beneath the ebb and flow of our disbelief

II.
DELETED as we delete the things we detest

III.
beyond the horizon, where the hot lands submerge
he rolls his great mane to rest upon the blackened grass south of the Sahara
      the great space around him vanishing as he sleeps

IV.
slipping and whipping down the burning slide
saddled to a cement slab in sun dried: Any Town,
Earth County
ZipZapped000

V.
obfuscators of earth’s guardianship whose clasped hands grip limitless wealth
      (go ahead, toss those deposit boxes and time capsules into the rising sea)

…and they tossed their wishing well coins

VI.
sometimes our beasts go silent
sometimes our beasts escape
most often they starve to death
despite their accumulated knowledge

VII.
long ago, a pregnant virgin cradled my childhood faith

VIII.
I must remember skating on Papa’s ice pond, and I must always pray for spring

——————————————————————————————-
captured footnote: X——-X
entry: byte.non–f (fire drive destroyed 2025/alt recovery file cap 219) 5Z 7K 24X: date doc//
October of the 6th route//2030
——-
archive:context txtvolume79033cvx130..:///Rational science had been crushed beneath the Mad Believers (4fT99)//and those by their side squatted on the world… during this period, fear and hate thrived and love un-lived
Entry200060002324//eventually The Mad Belief (ipsumibidMXCII1112) was forgotten ///recollected during nature’s self-purge/mankind no longer present… ———- end entry…datapoint…X
recording 54567 —–someone screaming on the floating island
collect years, savaged roots, where are you all???end transmis
/’’’tend the children well/’’’’’ they begged, sow seeds, plant saplings
you there – apologize for unsalvageable soil. unusable water
earth’s clock solar-powered
no backup
no backward
angels’ concrete dissolved

Hi there,
How I wish there was more love flooding the world rather than tidal waves.
Nonetheless, I’ve anchored the drywall in warm hues.
(Blue DragonUmp latex satin too depressing)
Here’s a brush of autumn color for your chilled porch.

artwork created a few years back, updated recently (snake & squirrel created with Prisma & watercolor marker, snake background created with Canva/fun program:))

Millie’s Rainbow

This post was inspired by a ‘new’ image.

It’s a wonderful gift to receive an image you’ve never seen before of a person you’ll not see again (in this version of life). My mom’s cousin had recently sent me a batch of family photos, a few of the images I’d not seen before – what a treasure to see my mom’s pearlescent smile in a ‘new’ way. I merged Millie’s image into the rainbow photo shown.

The rainbow happened on a most horrible day — a day not blackened by the dark weather but by my words. It was the day I told my sweet mother I was sending her to a nursing home. And that beautiful woman had the gall to smile, to tell me she understood and that everything would be okay.

The weight of my heart forced my tears forward like the storm. Then not long afterward, the rain stopped, the storm clouds moved on their way, and there outside, arcing over my house, was the most complete and perfect rainbow I’d ever seen. It was Millie’s Rainbow.

Thank you,
AnnMarie❤️

The Steady Blue Firmament

vito fbi copy 3
Dear Dad,

Your eyes flashed the colors of a summer storm.
Thunder rolled along the pink of your mouth.
Your shadow filled our home whether you were with it or not.
All this hurricane in one man.

But as terrifying as the clouds of my childhood could be at times, you were the sky.
How I miss the steady blue firmament of your presence in my life.
Today, somewhere out there in the nebula, you’ve turned 92 years old.

Happy Birthday, Dad.

Love,
AnnMarie

I can never say enough

about my beautiful mom who’s smiling down today and every day❤️

HAPPY MOTHER’S DAY to all you spectacular moms🌹!

Millie shown here at 25 years of age with my sis Grace:)
Geez man, I wish I had been blessed with that gorgeous broad smile!

Burying the Dead Twice

gum tree

I am honored and thrilled to share my latest published essay Burying the Dead Twice. https://underthegumtree.com/

The writers, artists and photographers featured in Under the Gum Tree are exceptionally talented, and I am humbled to be featured among them. This volume is breathtaking, the layouts sublime. Order your copy today. Under the Gum Tree is worthy of coffee-table real estate:)

Those of us living on earth generously acknowledge that no good work is created in isolation. To this end,  I give a shout out to my dear friend and fellow writer, Deb Levy, for her 1,000 reads and sage suggedits (as we kindly call them).  I also give great thanks to Under the Gum Tree’s fabulous editor, Dorothy Rice. Dorothy’s editing vision transported this piece to a more intense and clear-storied place.

Thank you,
am:)

The Long Con of a Creative Coward’s Lament

What has the coward accomplished since birthing a blog on Valentine’s Day, eight years ago? The crayon cornucopia of glib lines on her “About Me” page wax-on-purple. Over the last few years, this writing & art site has often been left fending for itself. So, what is it she’s trying to get at?

And, how the coward impressed herself in 2016, pairing beastly illustrations with ‘romantic poetry.’ Today, those shiny published business cards prop up crooked things. I also heard from a reliable source, “Boxes of her ‘auspicious’ books retain squatters’ rights in some basement storage area.” Why not ask what she’s achieved while she’s chest-strapped to a lie detector from her father’s generation? Let’s give this creative coward no room for fictionalizing excuses.

The coward excels at dog-paddling through quicksand while ignoring swinging vines. Ah, how malaise sparks the creative fires! In truth, misery is the pissing trope that replaces tenacity; an unavailable quality on any coward’s spectrum. The coward uses all unauthorized life changes in her orbit to self-justify any lack of progress beginning with the demise of a dear German shepherd who flat-lined across the coward’s feet the night before her mother-in-law moved in. Afterward, the gentle mother-in-law succumbed to a blinding fear of death making all six feet of her inextricably wired with depression. It must be noted that before  her dark metamorphosis, the generous mother-in-law had gifted a large sum toward the coward’s self-publishing aspirations. As for repayment, the mother-in-law asked for one signed copy.

The mother-in-law lived on for three years before the rug beneath the coward’s family feet was hijacked. It was November 2017. The coward’s father died, her mother suffered a massive stroke and her mother-in-law passed away all within the span of eleven weeks. The coward magicked into a ‘dutiful daughter’ and served as her mother’s primary caregiver. Despite hearing that the ‘dutiful daughter’ couldn’t take care of her beyond a year, despite her unrelenting pain and a deteriorating body, the mother’s joy never diminished. She powered past the end-of-life administered morphine to mutter, “I love you,” to the coward. The stroke-addled mouth with the fabulous pearl teeth brokered a final smile for the ‘dutiful daughter’ whose joy had left willingly long ago. ‘Dutiful?’ forever engraved upon the coward’s thin heart.

Months after the coward’s mother died, her husband and she decided it was time to downsize. They discarded some, sold some and packed up whatever massive inventory remained inside their big shiny colonial to press fast forward change. Their daughter and son would recover from the tragic loss of ample closet space. The family relocated to an old farm town. They purchased a home with a rich history built during the Great Depression. Their daughter and son have since moved onto earning their graduate-level degrees. The coward’s ‘old’ new home is officially barren of offspring.

After settling along the edge of the Hudson Valley, the coward entered more creative brinkmanship. She worked little and wallowed in memory blues and vineyard reds— strategizing wine selections by label imagery.  The coward did not fight back like her pugilist-loving father. Nor did she emulate her joyful mother’s dignity and grace. Any words or images leaving the coward’s head were effortlessly dark.

Months after the coward set up her studio, a close family member called. They’d been diagnosed with cancer. The coward kicked into high-gear her martyr imposter. She accompanied her family member to the hospital. After the family member’s double-mastectomy, the dutiful imposter remained at the family member’s home several few weeks. (The news is positive — the family member is “cancer-free.”)

A few calendar pages have been torn off since the coward’s close family member’s close call. The coward has finally arrived at the banal conclusion; the answers, she’d always known. The test she’d always avoided. Her pity-party candle is no longer lit. The coward rucks (her children had suggested adding weights in a backpack for a more powerful walking experience). Every morning, the coward looking like an old fool, swings her arms while carrying ten pounds in a pack and boppin’ to Phantom of the Opera.

To push the coward into using her creative muscles, her ass was recently kicked. If Ms. Levy lived closer, the kick might’ve been literal. Not only an exceptional writer, DS Levy is a dedicated runner and a sprinter. This Midwestern author suffers no fools, yet, she occasionally humors the coward’s ‘artful’ woe-is-me bullshit till KA POW! In the coward’s head, she hears flyover country improv, ‘no flyin’ unless you’ soarin’ with them damn wings on!’

‘The Millie & Billy show,’ as the coward and her large Italian family affectionately once called the dynamic duo, doesn’t come around anymore. Today, two monumental Italians live on between the coward’s ears, in images and inside memories. Though the coward’s monstrous heart has fractured, she more wisely appreciates the brittle quickness of the days, the months and the years.

Back to those boxes of books stored in the coward’s basement, the books her mother and her were going to hawk at local festivals while continuing their search for the perfect anisette cookie, they’ll stay crated a while longer. The coward is no longer enthusiastic over the poems and the images. She notes off tempo-ness in several pieces, stanzas smacking loquacious and others waxing purple-handed. The style no longer represents her. Perhaps it never did.

Should the coward ever grow as courageous as Vito and Carmella, she might one day find herself at some little festival selling monster books cheap, ever grateful for her mother-in-law’s generosity, while seeking out the perfect anisette cookie.

The coward will always treasure creating creatures with redemption in their souls if she herself is willing to look beyond their mistrusting eyes.

Fun fact: When the coward self-published, Love of the Monster, in 2016, her supportive husband gifted books to his friends. Months afterward, one of his friends called him to share a laugh over confessing how his new girlfriend, after reading some monster poetry, ‘got real cozy, real quick.’

This coward wishes you all a warm, safe and wonderful Thanksgiving.❤️dad mom me

was November 20, 1994, really so long ago
left to right: Vito/Billy, coward/dutiful daughter, Carmella/Millie
❤️xo