The lady you see in the background was a sculpture I created way, way back, my junior year of high school. I was ever the wilful child turned into obstinate teen and did not take direction well. My art teacher warned me of clay thicknesses. I didn’t listen. The sculpt, 3 feet in length, did not live long. All that remains of her – a few photos that I treasure as a reminder- there is always more to learn from others – listen well and learn – always learn
Tag Archives: earth
corkscrewed
forever eclipsed
eclipsing in my neck of the woods around 1:20 PM
don’t forget those all-important eclipse goggles 😎for safe viewing
notice me
if you haven’t checked it out, I had a love poem published on the ever-inspiring FOXGLOVE JOURNAL
– please share if you enjoy the read – humble thanks
mermaid dreams
5 am peaceful, poem published in the Avocet
5 am peaceful
wishing it were contented spirits
dusting the cement grass with glitter
not winter’s freeze
my dachshund’s paw prints
sweet as a postcard
one might send a faraway lover
I linger in the numbing quiet
let the moment warm this blanketed silence
hushed low like swimming beneath water
where despair drowns then floats away
in bubbles and dancing reflections
don’t want to twist the frozen doorknob
and go back inside
I’d love to remain out here
5 am
with the sparkling dust
and all that glitters
in the beauty of this silence
when the world is so peaceful
Rudolph Hug
drawn a few years back with watercolor marker, acrylic, and a dab of prisma pencil
chiseled stallion manes
a grand canyon
opens upon herself
deliberate in need
a succubus of blazing color
lifted from sunken oyster shells
bewitched by desert suns
he, Bryce
wild stallion manes
chiseled of stone
breaking gravity
powdered blue with atmosphere
tawny bleached
breathless creations
we limited to human-ness
can only admire
skeleton stallion
many years ago, I saw the Grand Canyon and believed her lovely, but I was exceptionally amazed at the unusual beauty of Bryce Canyon, Utah
the background in this sketch is an homage to Bryce
imagining rain
the sky showers down in shimmering rivulets
cleansing the earth of leftovers
something we planet guardians don’t do well
cloud masses end load the cycle
pouring so hard sometimes
dearest pets have been given over to frame the scene
the water is exquisite in its clean smell
vertical rivers stream to feed the parched
those below drink the life giving stuff and absorb the mist
beyond illusion or imagery of form to paint this memory
it is light itself
breath from heaven
yet
here I am, older
fancied up in a lace-lined number for celebrating
heels, so I stand fake slim at six feet tall
makeup applied hoping I might fool some years away
and all I can say about this gorgeous rain is
CRAP
my makeup is gonna run
MM is a 2′ tall print from a litho plate I painstakingly etched in college
I used this particular art thinking how we can sometimes be
a bit outside-centric rather than inside-evolved
(I’m ashamed to admit I’m guilty of this from time to time)
MM’s photo reference from the talented photographer Philippe Halsman (1906-1973)
southpaw warrior
southpaw warrior
wielding a just sabre
for righteousness
unsheathed in sparking white
gaining action by wind arc
inked blood contract
philosophies demanded
upon lofty principles
enforced with pride
beliefs carved upon singular roads
will not lead
southpaw warrior
to peace
Who
The Colors of Humanity
Imagine our earth a giant color wheel
each of us a gorgeous dot of pigment
equal reds, equal greens, all colors equal
but we humans don’t think in terms of equal
quite as much as we should
we are alike
but ‘enjoy’ thinking otherwise
we tend to shove one another around
crash head to head
 we cancel each other out
and become void
we choose to destroy our brilliance
yet
if we agreed
equal to be equal
equal reds, equal greens
if we learned to stand
side by side
what beauty there would be
on the color wheel they call this complimenting
on the earth we’d call it peace
I can’t think of a more beautiful, earthly color coexistent than a parrot
parrot in Prisma pencil done around 2002
opposing colors on the color wheel are called complimentary because when placed side by side they brighten, when these same colors are mixed in equal measure, they create a neutral or gray
