Blue Humor

So very honored to have “Blue Humor” published in The Stillwater Review

“The journal maintains a dedication to the lyric poem—musicality at the heart of it, the delicate ideas at work in the layers. Since that time our journal has published poets like Michael Waters, Judith Vollmer, Paul Genega, Adele Kenny, Robert Mitchell, J.C. Todd, Chuck Tripi, Mihaela Moscaliuc, Diane Lockward, Robert Carnevale, Jessica deKoninck, Edwin Romond, Lois Marie Harrod, and Roberto Carlos Garcia.”

Advertisements

b&n bunny

an old painting from a local art show I’d had titled “Creatured” – an amalgam of critters blended together – some whimsical, others ridiculous and some like that dopey orange bunny

diner cowboy

inspiration strikes all over the place, I adore when it accompanies a hot cup of coffee😁
(found photo online under Ford Monster trucks, cropped & flipped & blurred) Wish I would’ve had the good sense to take a picture of the actual truck while observing this scene…

do you (think you) know me

do you (think you) know me
inside my words
on top of my art
are your elbows leaning at your side(s) as you read along
do they comfort you
your elbows, not my word(s)
not my art
maybe you’re only getting to know me
if you don’t know me, (I dislike math)
these thing(s) xx2f (art+writing) are no source of comfort
rather(!) representational of all I don’t know

I do know–if we lived closer
we might be (great) friends

I am told I smile most of the time

when I write dark(ly)
or when I write in darkness
(lights are sleeping. I’m not)
I grin
unintentionally
like mad grimacing
once long long ago in a generous glass grocery store window of epic proportions I spied my reflection she was smiling. I wasn’t happy

I want you to be comfortable
inside my words
on top of my art
with your elbows at your side(s)
and tell me something
about yourself
I might even get to know what it is I don’t know
about myself

PS (person singing)
when we meet on that special day
in that secret place (where I wait for you)
we will smile at one another
I stop looking in a generous glass grocery store window of epic proportions to see another smiling face
my personal shopper

wooden horse

See how the wooden horse enters the scene–
on a silent dolly from stage right it gallops
Do you fancy Montague or Capulet
The show goes on, ending when the star-crossed lovers die
Isn’t that beautiful, how the royal velvet curtains cradle the set
All hand-stitched by Venetian cobblers, who were bored out of their minds–
stringing mandolins with leather shoestrings
The stiff horse has seen better days
Its low-budget cedar ass is splintering
Someone hiding in the pit had to be mindful of costs
The wooden equine doesn’t even belong on this set
The driver missed his cue for Cinderella this morning
In her pink world, no one commits suicide–
except maybe the mice, upon learning they are no longer stallions–
and that their playhouse curtains are a machine-stitched polyblend

animated refuse

this character sketch reminds me of an ornery Shakespearean spirit, I couldn’t tell you why